There’s a prison of fear and a great crowd stands here
Milling and thrilling to and fro
“Lead me lead me!” they scream so they can’t hear a thing
Down in the crowd there’s a voice calling loud
And he says
“Turn to the light turn to the light”
But they’ve all got their eyes shut - hands over them;
They’ll see that nothing that way!
There are things going down that are breaking us up
That they don’t even recognise
“God! God! God!” They say “God!” but they don’t believe in Him
“Jesus! Jesus! Christ! Jesus Christ!” they say
But that’s just a noise to make;
Just the sound of a name to be taken in vain and profaned
In a trillion casual blasphemies
We all have a name we all known by name
We are valued as such
And we matter as we are
And we should not stand for being belittled
So what did Jesus ever do
That entitles us to use His name as a curse?
Can a name be abused for too long
Without end or effect on the abuser?
What’s in a name?
What’s in a name what’s in a name tell me tell me
What’s in a name?
Is what expresses you meaningless
Tell me tell me what’s in a name?
What’s in a name what’s in a name tell me tell me
What’s in a name?
If the name above all names is bought
At the price of flesh and blood
What’s in a name?
credits
from Ministry Of The Interior,
released October 1, 1991
Written by Geoff Mann. Paul Keeble, John Maycraft and Gary Mitchell
supported by 12 fans who also own “Ministry Of The Interior”
This is an absolutely fantastic collection featuring near perfect newer run-downs of the Atlantis suite and Wedge tracks (with Rat Racing being my definitive entrance to this period, wonderful) as well as great and heavy concert sessions of The Cross and the Crucible and Sanctuary (personal favourite). My favourite bundle so far. futureperfect93
On his first studio LP, the Nigerien guitarist aligns himself with late overseas icons like Prince, Hendrix, and Dick Dale. Bandcamp Album of the Day Apr 4, 2019
supported by 10 fans who also own “Ministry Of The Interior”
I remember the excitement when The Sentinel was released having seen the band live a few times before. I loved the album but was aware that there were tracks missing and it had been rumoured that it was to be a double album. To hear all these takes and works in progress takes me right back to the 80's and the buzz of all the new prog that was coming out back then. This is an absolutely essential purchase for any Pallas fan. nuttinikki